Carly Rae Jepsen – ‘Day And Night’ review: a blissful album of two halves from the queen of nuanced pop

‘Day And Night’ is, quite literally, an album of two halves. Carly Rae Jepsen has always been a prolific songwriter, but this time around, a full 15 years after her global breakthrough with ‘Call Me Maybe’, she’s finally surrendered to the “indulgence” of making a double album. Its 24 tracks (plus two more on the Japanese edition) are split evenly between a ‘Day’ side and a ‘Night’ side. What this idea lacks in originality – British Pop Idol singer Gareth Gates did the same thing on his 2003 LP ‘Go Your Own Way’ – it makes up for in conceptual clarity. Essentially, the first disc is for vibes, while the second has the bops. READ MORE: HorsegiirL proves the neighsayers wrong with her joyous, whimsical dance music Since her 2012 album ‘Emotion’, which yielded an ingratiating mainstream smash, ‘I Really Like You’, and the more wistful, sophisticated ‘Run Away With Me’ that went viral on Vine (RIP), Jepsen has carved out her own lane. She’s the queen of catchy but nuanced pop, whose best songs (2017’s ‘Cut To The Feeling’, 2019’s ‘Want You In My Room’) feel like huge hits even if their actual chart success was modest. The ‘Day’ side of this album, which Jepsen recently described to NME...