In case you’d missed the memo, country music is having a moment. In the past two years, massive popstars like Beyoncé and Post Malone have spurred the movement internationally, eschewing their established sounds to commercial success, so much so that country music’s share of the UK singles market has doubled, reflecting a growing enthusiasm for all things Americana.
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As Ella Langley releases her second album, ‘Dandelion’, she’s sitting pretty on the top of the Billboard Hot 100 courtesy of the album’s lead single, ‘Choosin’ Texas’. Sprouting from the sweet spot between country and pop that has struck a chord with die-hard fans and casual listeners alike, the song captures the pang of rejection from a lover “two steppin’” from life with her in Tennessee to put stakes on a girl from the “Lone Star state” over the twang of bittersweet guitar and a toe-tapping beat.
While Langley herself can’t figure exactly why this particular ode to star-crossed love has connected with fans in such a powerful way, there is a warming, Shania Twain-like charm to her storytelling that both empathises with and bolsters the young women in her audience. Take, for example, the ache of forbidden dalliances on the lovelorn ‘Low Lights’, wistful connections not made to last with the inevitable doom of ‘We Know Us’ and the tender resignation of ‘Last Call For Us’.
However, taking the loss on matters of the heart meanders between tales of Langley brushing herself off and ploughing forth anew, as she flits between possibilities as a career-driven go-getter and the small-town life she left behind. “When days are long, I drift away / I play the song I used to play,” she sings of the memories that keep her grounded on the comforting expanse of ‘Loving Life Again’; meanwhile the easy-breezy ‘Somethin’ Simple’ recounts her bewilderment at her high-flying dreams becoming reality, and the soft-life yearnings that have replaced them.
There is a poignant question mark around the 26-year-old as she attempts to pin down who she is now, following the two years since her debut album ‘Hungover’ and the extensive touring that followed. The infectious hooks of ‘Be Her’ quip Langley’s introspective frustration of wanting to be the self-composed independent woman who invokes respect – not that she’s not striving in the right direction on the Miranda Lambert duet ‘Butterfly Season’: “Don’t even know her, that girl from last October. / Right now I’d like to show her who we’ve turned into.”
Despite recurring allusions to spreading her wings, starry-eyed title track ‘Dandelion’ courts the realisation that, no matter how far her career takes her from home, she is proud of and will never escape her roots. “Bible in my blood and ‘Bama in my veins,” Langley says, while quipping how no amount of fame can make her switch Jack for champagne. Because, if we’re being honest, her wildcard authenticity and fiery free spirit is the reason all eyes are on her now.
Details
- Record label: SAWGOD/Columbia Records
- Release date: April 10, 2026
English (US) · 