M:E Entertainment founders Karim Mattar and Sarvie Etebarian discuss bringing world-class artists to Nigeria and establishing the city as a dance music destination.
For decades, conversations around global electronic music have centered around longtime music meccas like Ibiza, Miami, Amsterdam, and Tulum. But another city is making its case as a hub for world-class dance music experiences: Lagos.
In just over a year, organizer M:E Entertainment has hosted sold-out performances from superstar artists including Rampa and Black Coffee, drawing international audiences while showcasing the depth of Nigeria‘s electronic music community. Now, founders Karim Mattar and Sarvie Etebarian are looking ahead to their biggest move yet, with a massive festival planned for December this year. It aims to further highlight Lagos as a premier destination for music, culture, and live, one-of-a-kind experiences.

While M:E has become one of the city’s newest promoters to make waves, Mattar and Etebarian are quick to point out that they aren’t building from scratch. They credit those “collectives building real scenes, nurturing local artists, creating genuine community” who laid the foundation for the city’s scene. They see themselves as contributing to an electronic music culture that has existed in Lagos for years, while leading the expansion of access to the international artists many Nigerians previously had to travel abroad to see.
“The vision was always that Lagos deserved to be in the conversation, not as an emerging market that global acts might eventually consider, but as a serious destination,” they explained in a joint email to EDM Identity. “The conversation has shifted from ‘can it be done?’ to ‘how do we scale it?'”
According to the founders, M:E Entertainment was born from a simple question that kept resurfacing after trips abroad: why couldn’t experiences on the level of those found in cities like London or Dubai exist in Nigeria? Rather than replacing the work already being done by local collectives, they wanted to bridge this specific gap by bringing internationally recognized electronic artists to Lagos with full-scale quality production.

That vision was tested with Rampa’s sold-out Lagos debut. This was followed by Black Coffee’s performance, which brought together established Afro-house artists like Caiiro, Da Capo, Enoo Napa, Massuma, Shoba, Remixia, and Addy Edgal.
For Mattar and Etebarian, the success of these events confirmed not only that Lagos was already primed for electronic music but also that it was ready to offer large-scale productions for its audience to experience without leaving the continent.
We’re not trying to recreate Ibiza in Lagos. We’re trying to build something that belongs here and happens to operate at the same level as those cities.
One misconception the founders hope to change is the idea that Nigeria’s electronic music audience is still developing. They argue that Lagos already has a deeply knowledgeable community that follows global dance music culture, streams artists, travels internationally, and understands the genre as well as audiences in any other city.
“The crowd that showed up for Rampa and Black Coffee wasn’t a crowd that needed to be introduced to electronic music,” they said. “They knew the artists, they knew the sets, they had opinions.”
Bringing these events to Nigeria comes with challenges. Infrastructure poses one of the biggest hurdles, particularly regarding power, equipment logistics, and the construction of temporary production systems.
While these issues require additional planning, investment, and effort, the founders maintain a solid, forward-looking mindset. They describe them as obstacles to solve rather than barriers to growth.
Looking ahead, M:E Entertainment’s ambitions extend beyond electronic music alone. Their long-term vision is to create world-class live experiences across multiple genres while making Lagos a regular stop on international touring schedules — not an exception or one-off party hub.
For Mattar and Etebarian, their benchmark for success won’t be satisfied by larger events or bigger headliners, but by the city’s recognition as a dance music destination where artists and fans choose to gather. “The music is already there,” they said. “The rest is about infrastructure catching up to the culture, and that’s happening. We think it’s inevitable.”
With a major festival slated for December and a confident, calculated, and strategic approach, M:E Entertainment’s plan sounds more like a near-sighted vision into the exciting future of live experiences in Lagos.
Stay tuned for more updates on their upcoming festival, and follow the brand on social media for the latest announcements. For more information, visit the M:E Entertainment website.
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The post How M:E Entertainment is Shaping Lagos’ Dance Music Scene appeared first on EDM Identity.

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