Primetime knows exactly how to draw the viewer into its based-on-true-events tale: The movie opens with a re-enactment of a classic To Catch a Predator setup, in which a man, following multiple online conversations with someone he thought was a very young person, enters a house filled with hidden cameras, believing that he’s about to have sex with a minor. Instead, out comes Chris Hansen (Robert Pattinson), with some hard questions about what the man is doing there, and what he expects to happen next.Well, to be strictly accurate about things, the movie truly opens with a close-up on Pattinson, rehearsing his lines and preparing for his moment in the spotlight. He’s finding his rhythm, exploring just the right delivery for his takedown of yet another potential pedophile. Despite his almost religious belief that he’s doing important work with the show, it’s a moment that establishes Chris not as a journalist but as a performer. His stage isn’t just anonymous suburban homes, with cookies cooling on the counter. It’s the whole world.Directed by Lance Oppenheim and written by Ajon Singh, Primetime compresses a number of real-life events into a tight timeframe, as Chris and his loyal pr...
Robert Pattinson Makes Chris Hansen Look Like American Psycho in Primetime: Review
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