SUNN O))) Announce Self-Titled New Album, Their First Since 2019 & Debut On Sub Pop

For nearly three decades, Sunn O))) have existed in a realm entirely their own, bending heavy music into forms that feel as informed by contemporary art and deep listening as by metal or rock. Now, Stephen O'Malley and Greg Anderson return with Sunn O))), their first album of new material since 2019's Pyroclasts and their tenth studio album overall — marking a new chapter as their debut release for Sub Pop.

If Sunn O))) feels elemental, that's by design. Recorded at Bear Creek Studios in Woodinville, WA with producer Brad Wood (Hum, Sunny Day Real Estate, Liz Phair), the album draws heavily from its environment. The vast tracking room, surrounded by forest and flooded with natural light, became an extension of the music itself.

"We could go hiking and be out in the woods," O'Malley says. "That became a big part of it." Anderson echoes the sentiment: "There was no stress, no worry about the timeline. We just let ourselves go, and let the music come out."

That freedom manifests in an album that strips Sunn O))) back to their most essential form. While the duo have famously collaborated with artists ranging from Attila Csihar and Hildur Guðnadóttir to Scott Walker, this record is performed entirely by O'Malley and Anderson themselves. For the first time, every sound emerges from the core partnership. "It was almost like this crucible of ideas," O'Malley explains, "really at the core of what we've been doing."

Rather than limiting their scope, the duo format opens new terrain. Recent live performances as a stripped-back two-piece informed the sessions, but the studio yielded unexpected divergences. "A lot of things that happened in the studio were really exciting and different from what we had been playing live," Anderson notes. The result is an album that feels expansive yet intimate, panoramic yet detailed.

Across six compositions, Sunn O))) breathes with its surroundings. Opener "XXANN" rises from howling feedback into crushing low-end, subtly underscored by the sound of trickling water. "Mindrolling" and "Glory Black" incorporate field recordings, the latter introducing piano — solemn, restrained, and almost fragile against the monumental drones.

"Does Anyone Hear Like Venom?" nods toward black metal's Newcastle pioneers while reframing them as deep listeners, attuned to place in the same way Sunn O))) are attuned to the Pacific Northwest forest encircling Bear Creek.

Throughout the album, the interplay between O'Malley and Anderson reaches new levels of near-telepathic intensity. The music doesn't simply unfold — it inhabits space, shaping and being shaped by silence, resonance, and time. "It's always developing," Anderson says. "That's what sustains my interest and passion."

The album follows October 2025's maxi 12" release on Sub Pop. The partnership with Sub Pop, Anderson notes, felt instinctively right. After a conversation with co-founder Jonathan Poneman, the deal came together effortlessly: "He was really excited and supportive."

Visually, Sunn O))) is as immersive as it is sonically. The album artwork features two paintings by Mark Rothko, reproduced with permission from the artist's estate—an extraordinary alignment between Sunn O)))'s slow-burning abstraction and Rothko's vast, meditative fields of color.

Liner notes come from acclaimed British writer Robert Macfarlane, whose reflections on landscape and deep time provide a philosophical counterpoint to the music. Additional artwork by French artist Elodie Lesourd appears throughout the inner sleeves and merchandise.

Taken together, sound, text, and image form a unified whole — an environment rather than a collection of songs. Sunn O))) doesn't aim to redefine the band so much as reaffirm what they've always been: a living, evolving meditation on heaviness, place, and perception.

Pre-orders for Sunn O))) are available here.